Audiovisual Programming
The invention and development of simulation devices gives space to ambiguous interpretations of the ontological nature of simulation itself: Cembali were invented as a mechanical simulation of a lute, pianos simulated cembali, synth keyboards simulated pianos, …, each time focussing on the emulation of the previous, yet almost inadvertently opening up unforseeable possibilities that extended the known musical spectrum.
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2018-02-06 18:02:27.036909 display-cafeteria executed add_bound with variables "obj"=>"892", "ord"=>"1", "sub"=>"3716", "bound_id"=>"10317", "predicate"=>"created_by"
2018-02-06 18:02:27.077679 display-cafeteria executed add_knot with variables "img_url"=>"https://cache.medienhaus.udk-berlin.de/lucas-liccini/ATLAS-TYP-UDK/FONTS/Belgrad/Kritiker.svg", "knot_id"=>"3716", "knot_name"=>"/Kritiker.svg", "knot_content"=>""
2018-02-06 18:02:27.158428 display-cafeteria executed add_bound with variables "obj"=>"3716", "ord"=>"1", "sub"=>"1327", "bound_id"=>"10318", "predicate"=>"is_parent"
2018-10-04 13:59:13.724796 alberto-decampo@medienhaus.udk-berlin.de executed add_bound with variables "obj"=>"3716", "ord"=>"1", "sub"=>"221", "bound_id"=>"13591", "predicate"=>"is_parent"