The practice of creating sound and music with computers is informed by knowledge from many domains: physics, psychoacoustics, psychology, musical culture, sound synthesis, just in time programming, and sonification, among others.
We will revisit the core elements of these bodies of knowledge in simple practical experiments, thus cultivating the sharing of working knowledge between participants.

We will focus on investigating the questions that arise together; any question can become the kernel of a little study piece, and may well turn into an idea for something larger; for instance, a playable instrument based on sensors; a reconstruction of a piece from the canon of computer music; or building blocks for complex synthesis.